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For example, the further the deadline, the cheaper the paper is going to cost you. But if you have an urgent order, our writers won't get scared. Our team of writers is comprised of people with necessary academic writing skills and experience in various fields of study. Read more about our writers. Shakespeare Essay William Shakespeare is one of the most noted literary writer of all time. Sonnets and perhaps 18 are ostensibly concerned with a plea for a young man to marry; but even in this group, which many readers have seen to be the most conventional and unified, there are disruptive suggestions that go far beyond the commonplace context.
What may strike contemporary readers, and not merely after an initial acquaintance with the sonnets, is the apparently unjustified level of idealization voiced by many of the sonnets—an adulatory treatment of noble love that, to a post-Freudian world, might seem archaic, no matter how comforting.
In the two hundred years since Petrarch, the sonnet had developed into an instrument of logic and rhetoric. The focus is on emotional richness, on evoking the immediacy of felt experience. Shakespeare uses many deliberately generalized epithets, indeterminate signifiers and floating referents that provoke meaning from their readers rather than providing it. Each line contains contradictions, echoes, and suggestions that require an extraordinary degree of emotional activity on the part of the reader.
The couplets frequently offer a reader indeterminate statements, inevitably breaking down any attempt at a limited formalist reading. The greatest of the sonnets—60, 64, , as well as many others—have such an extraordinary combination of general, even abstract, words and unspecified emotional power that the reader may take it as the major rhetorical characteristic of the collection.
In particular lines, too, these poems achieve amazing power by their lack of logical specificity and emotional open-endedness. Often a reader is swept on through the poem by a syntactical movement that is modified or contradicted by associations set up by words and phrases. There is usually a syntactical or logical framework in the sonnet, but so powerful are the contradictory, random, and disruptive effects occurring incidentally as the syntax unfolds that to reduce the sonnet to its seemingly replete logical framework is to miss the most amazing effects of these extraordinary poems.
Shakespeare is writing at the end of a very long tradition of using lyric poems to examine the nature of human love, and there is a weight of insight as well as of rhetorical power behind his collection.
Nowhere in the Petrarchan tradition are the extremes of erotic revelation offered in such rawness and complexity. Most of the conventional topoi of traditional poetry are the starting points for the sonnets—the unity of lovers , the power of poetry to immortalize the beloved 18, 19, 55 , contests between eye and heart, beauty and virtue 46, , and shadow and substance 53, 98, To do so, however, would be to nullify their extraordinary power of creation, the way they force ejaculations of recognition, horror, or joy from their readers.
Unpredictability and change are at the heart of the sonnets—but it is a continually shifting heart, and one that conceives of human love as definable only in terms of such change and finitude. In Sonnet 60, for example, time is not an impartial or abstract background. Even where it is glanced at as a pattern observable in nature or humanity, it is evoked as a disruptive, disturbing experience that cannot be dealt with as a philosophical problem.
In Sonnet 15, it may be possible to enter into an understandable protest against time destroying its own creations a commonplace enough Renaissance sentiment , and to accede to a sense of helplessness before a malignant force greater than the individual human being. When the sonnet tries, however, by virtue of its formally structured argument, to create a consciousness that seeks to understand and so to control this awareness, the reader encounters lines or individual words that may undermine even the temporary satisfaction of the aesthetic form.
The sonnet does not and need not answer such questions. To attempt criticism of the sonnets is, to an unusual extent, to be challenged to make oneself vulnerable, to undergo a kind of creative therapy, as one goes back and forth from such textual gaps and indeterminacies to the shifting, vulnerable self, making the reader aware of the inadequacy and betrayal of words, as well as of their amazing seductiveness.
Consider, for example, Sonnet When one falls in love with a much younger person, does one inevitably feel the insecurity of a generation gap?
What is more important in such a reading of the sonnets is the insistence that age or youthfulness are not important in themselves: It is the insistence itself that is important, not the mere fact of age—just as it is the anxiety with which a man or woman watches the wrinkles beneath the eyes that is important, not the wrinkles themselves. It stands for an invitation to participate in some wider psychological revelation, to confess the vulnerability that people encounter in themselves in any relationship that is real and growing, and therefore necessarily unpredictable and risky.
Without vulnerability and contingency, without the sense of being thrown into the world, there can be no growth. Hence the poet invites the reader to accept ruefully what the fact of his age evokes—an openness to ridicule or rejection. Both were impressed with Shakespeare, which made his name known. There is evidence that he was a member of a traveling theatre group.
In , he became a part owner of the prosperous Globe Theatre. He also was a part owner of the Black friars Theatre as of Shakespeare retired to Stratford in where he wrote many of his excellent plays. There are many reasons as to why William Shakespeare is so famous. He was able to find universal human qualities and put them in a dramatic situation creating characters that are timeless.
Yet he had the ability to create characters that are highly individual human beings.
Shakespeare was a leading member of the group from for the rest of his career. had produced at least six of Shakespeare’s plays; During Shakespeare’s life, there were two monarchs who ruled England. They were Henry the eighth and Elizabeth the first. Both were impressed with Shakespeare, which made his name known.
Shakespeare Essays, Articles and Book Excerpts Please also see the plays, sonnets and biography home pages for extensive essays and resources. Essays on the Plays Essays on the Sonnets and Poems Essays on Shakespeare's Life.
One of William Shakespeare’s great advantages as a writer was that, as a dramatist working in the public theater, he was afforded a degree of autonomy from the cultural . William Shakespeare Essay Words | 5 Pages. William Shakespeare On April 26, , John Shakespeare's son, William, was baptized at the Stratford Parish Church. No one knows for certain when his birthday was. (Brown 22) It was thought that young Shakespeare began attending school at the age 7, in Stratford.
Essay William Shakespeare was born on April 23, He was baptized on April 24, , in Stratford-upon-Avon, Warwickshire. He was the third of eight children born to John Shakespeare and Mary Arden. John was a well-known merchant and Mary was the daughter of a Roman Catholic member of the gentry. Shakespeare was educated at . The Life of William Shakespeare William Shakespeare was born in the Great Britain. At that time England had a social class system that divided the .